Converter · No upload
AVIF to JPG, locally
Drop in AVIF images and download JPGs at the quality you choose, in a format editors and upload forms have handled for decades. The conversion runs entirely inside your browser — nothing is uploaded, the network meter below proves it live, and it works with your wifi off. Transparency is flattened onto white, because JPG has none.
The dial applies to files you add after changing it — files already converted keep the quality they were made at (drop them in again to re-convert).
How this converter works
Every modern browser decodes AVIF natively — it's a web format, after all. When you choose a file, the File API opens it in memory, the browser's decoder turns it into raw pixels, this page draws those pixels onto a canvas filled with white — flattening any alpha, since JPG carries none — and the canvas re-encodes them as a JPG at the quality you set. The result comes back as a download link. No step involves a network transfer; the site is static files with no server that could receive an upload.
There is a stronger argument available than any measurement, and it is structural. A file can only be uploaded somewhere if something is standing by to receive it. What you are using is a folder of static documents distributed by a content network: no backend process, no database, no endpoint of ours that accepts anything at all. This code could be rewritten tomorrow, and the site's Content-Security-Policy — enforced by your browser rather than promised by us — permits connections to this origin only, where nothing stands by to accept an upload. That differs in kind from a pledge not to look at what you convert, and it explains why the design begins with the absent server rather than with a privacy statement. Particulars live on the methodology page.
The honest limits: JPG's savings come from discarding detail, and that loss is irreversible — keep your AVIF originals for anything that matters. Both formats are lossy, so this is a second generation of loss on top of the first; sharp edges, text, and flat-color graphics show it soonest, while photographs tolerate it best. Animated AVIF yields only its first frame, since JPG is a still format. And re-encoding strips any metadata from the output, which for shared images is usually the right default.